August 20, 2019

LOCK 2019 Public Lecture

The Public Lecture will explore topics such as filmmaking, fiction and documentary, as well as how to find the right lab for your future works.
Speakers will share their experience working in the international film industry and their encounters with Asian and Indonesian film industry.

August 23, 2019
Ashley Jakarta Wahid Hasyim
Jl. Wahid Hasyim no. 73-75
Gondangdia, Menteng
Jakarta Pusat 10350

FREE–Limited Seats
Click here to register yourself.

Labs, Markets & Festivals–a panorama
by Matthieu Darras
This lecture is about getting a sense of the most interesting initiatives existing around, and also evaluating which ones make sense or not for Indonesian filmmakers.
Film students and buddy filmmakers often hear about the many film labs, markets and festivals around, where to develop and/or to promote their films, but are often lost with an overflow of non-hierarchized information. This lecture is about getting a sense of the most interesting initiatives existing around, and also evaluating which ones make sense or not for Indonesian filmmakers.

Developing original content
by Ayman El-Amir
What is the meaning of ‘original’ after more than a century of telling stories for screen? It is about telling a story that unearths a universally human experience but wraps itself inside a unique, culture-specific world. Moreover, a story is not only what you have to say but how you say it. This lecture will question the term ‘originality’ and will explore ways, approaches and examples to develop original content for big screen.

A Scene Inside
by Marcelo Martinessi
Most script discussions tend to approach a film via its structure, turning points and the way the story moves forward. At this conversation about the film ‘The Heiresses’ we’ll avoid the question about ‘What happens next’ and will look closely at ‘What’s happening now’ in specific scenes.
Who are the key characters? What's their relationship with each other (including class, religion, power, etc.) and how is this portrayed? Is there a coherence between what they say and what they really want? How do they show or hide their intentions?  What’s the difference between the way they come in and out of the scene? What happens besides the plot that enriches the experience of understanding the cultural world we're into? Does the way the scene is framed help in understanding the world of the characters? What is the role of the sound?

Editors and Directors – a complicated relationship
by Sebastian Winkels
Life in an editing room sometimes resembles a marriage. Piecing together a documentary is a daring, long and highly personal challenge, which is equally tricky for directors and editors. Communication, trust, honesty, boldness and intuition take part in an existential psychological play. How to best walk into such an important working relationship, in order to get the best artistic result and yet to stay on speaking terms once the film is on screen? I share about what both sides might need as I work in both fields.

Being a Creative Producer
by Tatiana Leite
Producing is much more than raising money, putting deals together and principal talents. I’ve learned since the beginning, especially after attending labs such as Rotterdam, EAVE Puentes, and different co-production platforms, that the most complete way to be a producer is conceiving the project together with the filmmakers.
A creative producer takes a concept, adds value to it (or even can start with a concept!) and makes it a reality. This process involves everything from generating ideas and assembling the right team to bring the project through to the final stages of production.  A creative producer should know about the different aspects of the production process and how to make things happen, but also about cinema content itself and about relationships & trust, especially with the filmmakers.

How to Co-produce Between Indonesia and Europe?
by Didar Domehri
Learn about the key rules to follow in order for a co-production to work, but also get to know the latest trends, main mechanisms and sources of financing in Europe, opportunities & difficulties when it comes to working together with European partners.

July 1, 2019

Peserta Terpilih Laboratorium Olah Cerita & Kisah (LOCK) 2019

[for announcement in English please download this PDF file]

Yayasan Cipta Citra Indonesia (YCCI) mengumumkan peserta terpilih yang akan mengikuti kegiatan Laboratorium Olah Cerita & Kisah (LOCK) tanggal 21 – 28 Agustus 2019 di Jakarta.

LOCK merupakan inisiatif dari YCCI bekerjasama dengan Badan Ekonomi Kreatif (BEKRAF) Indonesia. Kegiatan ini bertujuan menciptakan kesempatan bagi para pembuat film Indonesia yang ingin mengolah filmnya bersama para pengajar yang adalah para praktisi film internasional.

Ada sebelas proyek yang terpilih untuk dua kategori: laboratorium pengembangan cerita fiksi (development) serta penyuntingan fiksi dan dokumenter (editing). Film-film tersebut mencakup film panjang maupun pendek.

Pada edisi pertama LOCK ini, tercatat sebanyak 61 proyek film fiksi dan 5 proyek dokumenter didaftarkan dari berbagai wilayah yaitu Jakarta, Karawang, Tangerang, Bandung, Yogyakarta, Solo, Semarang, Makassar dan Palu.

Kesebelas peserta terpilih LOCK 2019 adalah sebagai berikut:

PENGEMBANGAN CERITA

1. PIPING
Sutradara: Putri Sarah Amelia
Penulis Naskah: Devina Sofiyanti
Produser: Wina Miranti Putri
Tanaya Creative
Tangerang Selatan 

2. MAYDAY
Sutradara: Eden Junjung
Penulis Naskah: Eden Junjung
Produser: Siska Raharja
Elora Films
Yogyakarta

3. SEORANG PEREMPUAN BERNAMA SILAH DAN LELAKI BERNAMA DUA
Sutradara: Yosep Anggi Noen
Penulis Naskah: Yosep Anggi Noen
Produser: Yulia Evina Bhara
KawanKawan Media
Jakarta

4. THE MURDERS IN THE HOLY VILLAGE
Sutradara: Fachri Al Jupri
Penulis Naskah: Fachri Al Jupri
Produser: Zul Hendra
Anakayam Films
Karawang & Jakarta

5. SANTRI FAHRI
Sutradara: M. Reza Fahriyansyah
Penulis Naskah: M. Reza Fahriyansyah
Produser: Said Nurhidayat
Crazyone Films
Yogyakarta 

6. THE SPOILED TERROR
Sutradara: Tunggul Banjaransari
Penulis Naskah: Tunggul Banjaransari
Yogyakarta

7. HOUSE OF TANJONG
Sutradara: Angkasa Ramadhan
Penulis Naskah: Rien al-Anshari, Angkasa Ramadhan
Produser: Rien al-Anshari
Kembang Layar Indonesia
Pontianak 

8. THE LAST SOLDIER
Sutradara: Yusuf Radjamuda
Penulis Naskah: Neni Muhidin
Produser: Marsio Juwono
Timeless Pictures
Palu & Jakarta


PENYUNTINGAN FIKSI

1. WALIALA
Sutradara: Rachmat Hidayat Mustamin
Penyunting Gambar: Feranda Aries
Produser: Zhaddam Aldhy Nurdin
Imitation Film Project
Makassar


PENYUNTINGAN DOKUMENTER

1. YOU AND I
Sutradara: Fanny Chotimah
Penyunting Gambar: Angen Sodo
Produser: Amerta Kusuma, Yulia Evina Bhara, Tazia Teresa Darryanto
KawanKawan Media
Jakarta

2. THE JOURNEY
Sutradara: Maulana M. Syuhada
Penyunting Gambar: Angga Hamzah Firdaus
Produser: Sofyana Ali Bindiar
Sembilan Matahari Film
Bandung


Kesebelas kelompok akan mengikuti rangkaian acara LOCK yang terdiri dari sesi konsultasi khusus, diskusi kelompok, sesi kuliah umum dengan pengajar internasional dan juga pertemuan dengan perwakilan asosiasi film Indonesia.

Para pengajar yang merupakan praktisi di bidang produksi dan penulisan cerita film  dari mancanegara adalah:

  • Penggagas First Cut Lab Matthieu Darras (Prancis)
  • Para sutradara/penulis Sebastian Winkels (Jerman), Ayman El-Amir (Mesir), dan Marcelo Martinessi (Paraguay)
  • Para produser Didar Domehri (Prancis), Tatiana Leite (Brasil)

March 9, 2019

LOCK 2019: Open Call

Laboratorium Olah Cerita & Kisah atau LOCK, membuka kesempatan bagi para pembuat film yang berkarya di Indonesia dan tertarik mengolah filmnya bersama para pekerja film internasional. Kegiatan ini ditujukan baik kepada pembuat film yang baru mulai maupun yang sudah berpengalaman, untuk film panjang maupun pendek.

Read more

YAYASAN CIPTA CITRA ©2019